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Aurel Qirjo

Kaba with two parts: kaba and dance. The first part, kaba relies on a short lamenting motif that continuously cadences in minor septa in the lower violin register. The “starter” violin dialogues with the “cutter” gërnet in a conversation that increases the emotional tension of mourning through wide sound spaces under the llahuta’s iso. The dance in the second part, which is typical of the Korça area, comes naturally and extends the violin register, creating a cheerful atmosphere. There is no information about the word “Naumҫe”, but it is supposed that this word refers to any interpretation’s feature of the musician who hold this name and was the first to create this model.

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