It is a two-part Kaba: kaba and dance.

The first part is based on a lament’s Tosk motif in Korça area.

Typical of this kaba is the amazing application in the high clarinet register right at its entrance. The first part follows through polyphonic dialogues between the gërnet and the violin of Aurel Qirjo in the middle registers, as it happens in the Tosk songs with iso.

The passing to the second part (dance) is smooth. The accompanying rhythm of the lute does not disrupt the dialogues of the instruments that are already performed in the context of the dance.

Throughout the kaba, the style of interpretation created by Lulushi in Korca folk instrumental music can be distinguished, as Telando has absorbed creatively together with other gërnet players such as Zhani Struga, Aleks Xhelili, etc.